Thomas Cole
1801-1848
Thomas Cole Galleries
Thomas Cole (February 1, 1801 - February 11, 1848) was a 19th century American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism.
In New York he sold three paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where he visited the Catskill Mountain House and painted the ruins of Fort Putnam. Returning to New York he displayed three landscapes in the window of a bookstore; according to the New York Evening Post, this garnered Cole the attention of John Trumbull, Asher B. Durand, and William Dunlap. Among the paintings was a landscape called "View of Fort Ticonderoga from Gelyna". Trumbull was especially impressed with the work of the young artist and sought him out, bought one of his paintings, and put him into contact with a number of his wealthy friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist.
Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, now in the collection of the New York Historical Society and the four-part The Voyage of Life. There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York.
Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841-1842 abroad, mainly in England and Italy; in Florence he lived with the sculptor Horatio Greenough. Related Paintings of Thomas Cole :. | The Garden of Eden | The Present | The Departure | The Past | Tornado (mk13) | Related Artists: Phillips, AmmiAmerican Folk Artist, 1788-1865
American painter. Apparently self-taught, he began his prolific and successful career as a portrait painter c. 1811. During his lifetime, he moved several times across the borders of New York, western Connecticut and Massachusetts in search of commissions. Like many of the itinerant artists of the 19th century, he struggled to achieve pictorial solutions and a distinctive style, yet he developed so dramatically that historians originally classified his paintings as the work of two different artists: 'The Border Limner' and 'The Kent Limner'. The earliest works, from his 'Border' period (c. 1812-19), are marked by simple forms, shaded outlines and soft, pastel colours. They include ambitious full-length portraits as well as three-quarter and bust-length examples (Dr Russell Dorr, c. 1814-15; Williamsburg, VA, Rockefeller Flk A. Col.). In the 1820s he experimented with techniques and formats, developing an attention to detail and naturalism that suggests the influence of Albany portrait painter Ezra Ames. By the 1830s, the decade of his 'Kent' portraits, his compositions present his sitters as large, stylized shapes that nearly fill the canvas, while his use of rich, saturated colours creates striking contrasts of light and dark. Typically in this decade, his female sitters are shown leaning forward while male sitters sit upright with one hand draped over a chairback. Among his most appealing and successful works are portraits of children from this period. Blond Boy with Primer, John Ford PatersonAustralian, 1851-1912 Panfilo Nuvolone (1581-1651) was an Italian painter of the Mannerist period, who painted both religious and still life topics, active in Cremona and Mantua.
Born to a Mantuan gentleman, he was the father of a family of Cremonese painters. In that town, he apprenticed with Giovanni Battista Trotti (known as il Malosso). Afterwards he moved to Milan, where frescoe church ceilings, and painted altarpieces and still lifes.
One of his few documented still lifes depict a bowl of peaches, and recalls the near-contemporary paintings of fruit bowls in Milan, including the 1594-98 painting in the Ambrosiana by Caravaggio and similarly themed paintings by Fede Galizia. His son, Carlo Francesco Nuvolone, also a prominent in painter in Lombardy. Panfilo's younger son Giuseppe Nuvolone also a painter. Giuseppe's son Carlo was a mediocre quadratura specialist active mainly around Cremona.
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